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Joan Mitchell, In Time, 1992
Joan Mitchell, In Time, 1992
Joan Mitchell, In Time, 1992
Joan Mitchell, In Time, 1992
Joan Mitchell, In Time, 1992

Joan Mitchell

In Time, 1992
color lithograph on white, handmade TGL paper
19 1/4 x 14 1/8 inches
27 3/4 x 22 5/16 inches (framed)
Part of the POEMS portfolio 23/76
$ 3800.00
Joan Mitchell, In Time, 1992
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Further images

  • (View a larger image of thumbnail 1 ) Thornton Willis, Black Wedge, 1980
  • (View a larger image of thumbnail 2 ) Thornton Willis, Black Wedge, 1980
  • (View a larger image of thumbnail 3 ) Thornton Willis, Black Wedge, 1980
  • (View a larger image of thumbnail 4 ) Thornton Willis, Black Wedge, 1980
  • (View a larger image of thumbnail 5 ) Thornton Willis, Black Wedge, 1980
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Joan Mitchell

American (Chicago 1925 - Paris 1992)

In Time

Color lithograph on white, handmade, TGL paper

Illuminating poem In Time by Nathan Kernan

19 ¼ x 14 1/8 inches

27 3/4 x 22 5/16 inches (framed)

Part of POEMS portfolio

Numbered and signed in pencil on Colophon page: 23/76 Joan Mitchell

And signed in pencil: Nathan Kernan

Published by Tyler Graphics Ltd., Mount Kisco, NY, 1992

Framed to museum conservation standards - floated on a white acid-free mat, white frame and Tru-Vue museum glass.

Joan Mitchell stands out as the most important woman in the American Abstract Expressionist movement of the 1940s and 50s, exhibiting alongside titans Jackson Pollock, Willem de Kooning, and Barnett Newman. Mitchell was born in Illinois, and studied at Smith College. On a scholarship trip to Europe in the late 1940s, Mitchell began a passionate and life-long affair with France, and divided the rest of her time between homes there and in New York.

Mitchell's work, although abstract, is grounded and inspired in landscape. Her work reflects the influence of Monet, Cézanne, and Van Gogh. As a result, her paintings have an organic flow to them, the seemingly scattered paint alluding to nature's equally nuanced order.

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